{"id":12,"date":"2018-10-29T15:59:42","date_gmt":"2018-10-29T15:59:42","guid":{"rendered":"http:\/\/localhost:8888\/ket\/?page_id=12"},"modified":"2026-05-07T20:01:51","modified_gmt":"2026-05-07T20:01:51","slug":"home","status":"publish","type":"page","link":"https:\/\/polychorosket.gr\/en\/","title":{"rendered":"Home"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"home.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"acf":{"slideshow":[{"event":{"ID":4854,"post_author":"4","post_date":"2026-04-20 07:49:25","post_date_gmt":"2026-04-20 07:49:25","post_content":"<!-- wp:paragraph -->\n<p>The<strong>\u00a0SaladeFriday<\/strong>\u00a0project was founded in Beirut in 2021 by Lebanese musician<strong>\u00a0Akram Hajj<\/strong>.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>It is organized in various European cities, with the aim of bringing together musicians from Lebanon\u2019s experimental and underground scene with artists from other countries and other artistic backgrounds.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Following the explosion at the port of Beirut and Lebanon\u2019s economic crisis, many musicians were forced to leave the country, seeking new places where they could live, create, and prosper.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In their original form, these gatherings combined improvisational music with a private dinner\u2014each participant brought a fruit or vegetable of their choice, and the host mixed them together to make an improvised salad. The title of the project derives from this practice.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>After small events in Cairo, Alexandria, Italy, and Switzerland,&nbsp;<strong>SaladeFriday<\/strong>&nbsp;found an almost permanent home in Paris, between the Middle Eastern diaspora and the local scene.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The second SaladeFriday hosted by KET features <strong>Akram Hajj <\/strong>(percussion, electronics), <strong>Joy Moughanni <\/strong>(electronics), <strong>Vanessa Kourtesi<\/strong> (vocals), and <strong>lookmaitmoves <\/strong>(live visuals).<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd37 Lebanese musician and drummer <strong>Akram Hajj<\/strong> became widely known as a member of the post-rock band Kinematik. His solo work combines acoustic percussion, pedals, and a mixer without inputs, creating an electroacoustic, industrial, and atmospheric sound known as Daf-Noise. He lives in Paris.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd37<strong>  Joy Moughanni <\/strong>is a Beirut-based producer, engineer, and songwriter, as well as a partner at Tunefork Studios. As a sought-after production collaborator in Beirut\u2019s alternative scene, producing several albums with regional and international artists. Joy\u2019s work explores sound in relational contexts and archives, drawing from his architectural studies and spatial sonic installations. Recently, he has been sonically exploring themes of personal and political manipulation through his debut solo album \u201cA Separation From Habit\u201d Voted #48 on The Quietus 2025 Album of the year.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd37 Musician, composer-songwriter, and singer <strong>Vanessa Kourtesi <\/strong>draws inspiration from the traditions of the Eastern Mediterranean, improvisation, ambient music, and jazz. In 2022, she released an EP, and in 2023, an album with the band Merem. Her first solo album is set to be released in 2026. She is a graduate of Codarts (Rotterdam) and the Voice Study Center \u2013 University of Wales.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd37 <strong>Cynthia-\u00ebl Hasbani <\/strong>(aka\u00a0<strong>lookmaitmoves<\/strong>) is a Beirut-born Berlin-based media artist. From visual design to video art, interactive installation and live performance, her work revolves around dreams, memories, motion and psychosomatic aesthetics inspired by a longing for the 90\u2019s, when digital and analog were bordering on simultaneity.<\/p>\n<!-- \/wp:paragraph -->","post_title":"SaladeFriday in Athens: Hajj, Moughanni, Kourtesi, lookmaitmoves","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"saladefriday-in-athens-2-en","to_ping":"","pinged":"","post_modified":"2026-04-25 19:24:26","post_modified_gmt":"2026-04-25 19:24:26","post_content_filtered":"","post_parent":0,"guid":"https:\/\/polychorosket.gr\/?post_type=events&#038;p=4854","menu_order":0,"post_type":"events","post_mime_type":"","comment_count":"0","filter":"raw"}},{"event":{"ID":4765,"post_author":"4","post_date":"2026-03-23 08:03:20","post_date_gmt":"2026-03-23 08:03:20","post_content":"<!-- wp:paragraph -->\n<p><em>\u2026a performance entirely dedicated to the brain.<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The play \u201c<strong>The man who passed or it interests me Roula<\/strong>\u201d by the Babushka theater group and directed by Reveka Tsiligkaridou, returns to KET for a third run of performances.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The play revolves around Alzheimer\u2019s disease and progressive memory loss, as experienced within a family, through the story of a father who is ill. The disease is not merely the subject of the play, but seems to take on a stage presence, becoming a figure that constantly alters memory, speech, and relationships.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In the face of this gradual loss, the performance serves as an act of resistance against oblivion: through fragments of memory, narratives, and scenes that oscillate between the tragic and the tender, moments from the father\u2019s life are reconstructed\u2014moments that are joyful, intense, everyday, or even tragic.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Little by little, through this collaborative process of staging and writing, the story of a \u201cfamily like any other\u201d\u2014yet at the same time unique\u2014comes to light: the story of a family in Thessaloniki in the 1980s, and at the same time a portrait of memory that, even when lost, continues to exist through others.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The performance constantly balances between bitterness and tenderness, humor and emotion, transforming a deeply personal story into a shared experience of memory.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Note from the group<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\"Memory. The loss of memory. The role of memory in human identity, in the human soul. This is at the heart of the performance we are putting on. We explore the human being who withdraws from his memory. We record it, analyze it, dive into it with guides that are scientific, emotional, poetic, surprisingly humorous. Memory. A core of existence with multiple interpretive perspectives and implications. Who am I? The observer? The narrator? The scientist? The attendant? Who is the person who has accompanied me and is accompanying me? A chorus of narrators investigates, questions, testifies, tries to put words to their experience and observations. The person steps into roles and returns to the now and the before to continue. The aim of the performance is to question the joints of memory. To discover what it means: \u2018Everything was going well until\u2026\u2019. What \u201cwell\u201d means. At what point exactly \u201cwell\u201d changed. What does \u201cuntil\u2026\u201d mean. We focus on the small things to ask about the big things. We make conscious the fact of everyday life. We experience what memory is, what its \u201clack\u201d is. We awaken to the lack. In the \u201csomething is wrong\u201d. Is it memory that makes us who we are? Are we without it? And what? The stakes of the performance are freedom on stage: to give space to the aspects of the accidental in order to have the event, the one that will bring up a memory deeper in us and in the audience. The event will bring the deep memory. That is what we will try to do.\"<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u2014 Babushka Group<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>*The performance is in the greek language.<\/p>\n<!-- \/wp:paragraph -->","post_title":"\u201cThe man who passed or it interests me Roula\u201d","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"the-man-who-passed-26-en","to_ping":"","pinged":"","post_modified":"2026-03-23 08:03:22","post_modified_gmt":"2026-03-23 08:03:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/polychorosket.gr\/?post_type=events&#038;p=4765","menu_order":0,"post_type":"events","post_mime_type":"","comment_count":"0","filter":"raw"}},{"event":{"ID":4858,"post_author":"4","post_date":"2026-04-20 08:05:13","post_date_gmt":"2026-04-20 08:05:13","post_content":"<!-- wp:paragraph -->\n<p>Every month KET hosts<strong>\u00a0Spoken Maik<\/strong>, a poetry and spoken word event curated by\u00a0<strong>Niki Papadogiannaki\u00a0<\/strong>and<strong>\u00a0Stavros Anagnou<\/strong>.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Open to all languages<\/strong>, Spoken Maik has so far hosted recitals, performances, and readings in Greek, English, Norwegian, Turkish, Kurdish, Arabic, Russian, French, Serbian, Ukrainian, Japanese and Galician.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The genres are equally diverse: slam, spoken word, poetry, rap, manifestos, personal stories.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The Spoken Maik community is always supportive, offering a safe and welcoming space that allows everyone to try, often for the first time, to share their poetry in public.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The eight Spoken Maik of the season will be hosted at KET on Thursday, May 14th, 2026.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Those who wish to participate should arrive half an hour before the start time and add their name to the list of participants. Each act may last up to five minutes.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Spoken Maik #8","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"spoken-maik-826-en","to_ping":"","pinged":"","post_modified":"2026-04-20 08:05:15","post_modified_gmt":"2026-04-20 08:05:15","post_content_filtered":"","post_parent":0,"guid":"https:\/\/polychorosket.gr\/?post_type=events&#038;p=4858","menu_order":0,"post_type":"events","post_mime_type":"","comment_count":"0","filter":"raw"}},{"event":{"ID":4862,"post_author":"4","post_date":"2026-04-20 08:29:51","post_date_gmt":"2026-04-20 08:29:51","post_content":"<!-- wp:paragraph -->\n<p><strong>Submersion Records<\/strong> was founded in Thessaloniki in October 2020 and has released 29 albums to date, featuring artists such as Giannis Arapis, Saber Rider, Giorgos Katsanos, Chrysa Tsaltampasi, Giorgos Karras, Kalliopi Mitropoulou\u2026<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In 2025, the label organized the first festival dedicated its work in Athens, which was very well received.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>It returns to KET this year with the second Submersion Festival\u2014a label showcase that highlights the breadth of its releases from 2020 to the present.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Polyphony remains at the center. From<strong> Emi Path<\/strong>\u2019s experimental songs, based on vocals and synthesizers, to <strong>Demi Spriggs<\/strong>\u2019s acoustic English-language folk and <strong>Myrsini Kalle<\/strong>\u2019s atmospheric ambient music, the first day features recent releases as well as new material.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>This Darkness of Mine<\/strong>, with a new release, presents an ambient neoclassical ensemble on the second day, accompanied by visuals designed specifically for the festival. <strong>CALLIOPE<\/strong>, featuring vocals, euphonium, and synthesizers, moves between Greek folk music and electronic ambient. Rounding out the lineup is <strong>As Never Before<\/strong>, with a new album that combines electronic elements with acoustic guitar and songwriting.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A pop-up shop featuring the label's new releases will be open at KET.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Program:<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Friday 15 May<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/www.instagram.com\/emi.path\/\">EMI PATH<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/www.instagram.com\/demispriggs____\/\">DEMI SPRIGGS<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/www.instagram.com\/myrsinikalle\/\">MYRSINI KALLE<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Saturday 16 May<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/www.instagram.com\/this_darkness_of_mine\/\">THIS DARKNESS OF MINE<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/www.instagram.com\/calllope_\/\">CALLIOPE<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/www.instagram.com\/as.never.before\/\">AS NEVER BEFORE<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83c\udf00 <strong>SUBMERSION RECORDS<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Site: <a href=\"http:\/\/www.submersionrecords.com\/\">www.submersionrecords.com<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bandcamp: <a href=\"https:\/\/submersionrecords.bandcamp.com\/\"><u>www.submersionrecords.bandcamp.com<\/u><\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>*Due to limited seating, 20 two-day tickets will be available.<\/em><\/p>\n<!-- \/wp:paragraph -->","post_title":"Submersion Festival 2026","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"submersion-festival-2026-en","to_ping":"","pinged":"","post_modified":"2026-04-20 08:29:53","post_modified_gmt":"2026-04-20 08:29:53","post_content_filtered":"","post_parent":0,"guid":"https:\/\/polychorosket.gr\/?post_type=events&#038;p=4862","menu_order":0,"post_type":"events","post_mime_type":"","comment_count":"0","filter":"raw"}},{"event":{"ID":4891,"post_author":"4","post_date":"2026-05-04 16:26:42","post_date_gmt":"2026-05-04 16:26:42","post_content":"<!-- wp:paragraph -->\n<p>Amid psychedelic sounds, free jazz influences, electronic soundscapes, and reinterpretations of musical traditions, the audiovisual events of \"Sound of Color\" connect musical improvisation with the visual arts, presenting new, unexpected collaborations every month at KET. Curated by musician Jannis Anastasakis and visual artist Natalia Manta, it has been, for over eleven years now, a vibrant meeting place, deeply rooted in the city\u2019s artistic communities.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The eighth event of the season features <strong>Jannis Anastasakis<\/strong> (guitar, analog synths, live electronics), <strong>Natalia Manta<\/strong> (live visuals), <strong>Anna Linardou<\/strong> (vocals), <strong>Harris Lambrakis <\/strong>(ney), <strong>Alexis Porfiriadis<\/strong> (piano), and <strong>Giorgos Efthimiou<\/strong> (live visuals).<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd37<strong> Anna Linardou <\/strong>explores the versatility of the voice, studying and combining vocal qualities from contemporary, classical, and traditional song, as well as expanded vocal techniques. She has performed as a soloist in musical productions throughout Greece (Herodeion, Athens and Thessaloniki Concert Halls, Onassis Cultural Center\u2026), as well as in concerts and festivals across Europe (Punkt Festival, Big Bang Festival) and in the U.S. Since 2021, he has been conducting the Intercultural Choir of the Greek National Opera.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/annalinardou.bandcamp.com\/album\/heterotopia\" target=\"_blank\" rel=\"noreferrer noopener\">www.annalinardou.bandcamp.com\/album\/heterotopia<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd36<strong> Harris Lambrakis<\/strong> was born and raised in Athens. He studied at the Department of Music Studies at the University of Athens, specializing in ethnomusicology. For the past thirty years, he has participated in recordings and concerts in Greece and abroad, collaborating with prominent musicians from various musical fields. At the same time, he teaches the ney, passing on his experience and knowledge to younger musicians.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http:\/\/www.harrislambrakis.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.harrislambrakis.com<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd37 Composer, pianist, and improviser<strong> Alexis Porfyriadis <\/strong>studied composition in England and Austria. His works have been performed in Europe, the U.S., Mexico, and Canada. He has been involved in improvisation as a pianist and composer since 2005. He teaches improvisation, experimental music, and non-conventional performing arts in the Department of Music Science and Art at the University of Macedonia. He is a member of the 6daEXIt Improvisation Ensemble (Thessaloniki) and the WHI Ensemble (Athens).<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd36 Performer, visual artist, writer, curator, and filmmaker <strong>Giorgos Efthimiou<\/strong> works in the realms of the paradoxical, the punk, and poetic melodrama. He describes himself more as an outcast than an artist. He has completed more than 40 films and videos, which have been presented at festivals and venues around the world (Oberhausen, Jihlava, Leiden, Weiterstadt\u2026). As a curator, he is associated with the site-specific screenings of the Pugnant Film Series, which he founded.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http:\/\/www.pugnantfilmseries.blogspot.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.pugnantfilmseries.blogspot.com<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd37 Her primary medium is clay, but <strong>Natalia Manta <\/strong>also works with metal, wax, photosensitive chemicals, and video. Collaborating across different artistic disciplines is an integral part of her practice. From 2017 to 2020, she taught sculpture at the Athens School of Fine Arts. For the past ten years, she has curated, together with Jannis Anastasakis, the audiovisual performances \u201cSound of Color.\u201d Her works have been presented in exhibitions and institutions in Greece and abroad. In 2022, she was awarded the Stavros Niarchos Foundation Artist Fellowship by ARTWORKS. She has participated in major residency programs abroad. Her works are held in private and public collections.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http:\/\/www.nataliamanta.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.nataliamanta.com<\/a><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\ud83d\udd36 One of the most distinctive guitarists and musicians on the Greek improvisational scene,\u00a0<strong>Jannis Anastasakis\u00a0<\/strong>has developed a recognizable personal sound that moves between ambient and psychedelia, balancing melody and noise. He is the founder of JAM Pedals, a company that manufactures handmade pedals used by leading musicians (Bill Frisell, John Scofield, Daniel Lanois, John Medeski, Nile Rodgers, Lee Ranaldo, etc.). He has collaborated with important artists from the Greek and international music scene, such as Arve Henriksen, Eivind Aarset, Christian Fennesz, Giuseppe Doronzo, Savina Giannatou, Haig Yazdjian, Thodoris Rellos, Michalis Siganidis, Floros Floridis, Lena Platonos, Spyros Polychronopoulos, Dionysis Savvopoulos, Haris Lambrakis, and others. He is developing the audiovisual project \u201cSound of Color\u201d with sculptor Natalia Manta on live visuals.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http:\/\/www.jannisanastasakis.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.jannisanastasakis.com<\/a><\/p>\n<!-- \/wp:paragraph -->","post_title":"Sound of Color #8","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"sound-of-color-826-en","to_ping":"","pinged":"","post_modified":"2026-05-04 16:26:43","post_modified_gmt":"2026-05-04 16:26:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/polychorosket.gr\/?post_type=events&#038;p=4891","menu_order":0,"post_type":"events","post_mime_type":"","comment_count":"0","filter":"raw"}}]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Home - KET<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/polychorosket.gr\/en\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TV Control Center | \u039a\u03ad\u03bd\u03c4\u03c1\u03bf \u0395\u03bb\u03ad\u03b3\u03c7\u03bf\u03c5 \u03a4\u03b7\u03bb\u03b5\u03bf\u03c1\u03ac\u03c3\u03b5\u03c9\u03bd\" \/>\n<meta property=\"og:url\" content=\"https:\/\/polychorosket.gr\/en\/\" \/>\n<meta property=\"og:site_name\" content=\"KET\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-07T20:01:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/polychorosket.gr\/wp\/wp-content\/uploads\/2018\/11\/35482210_1946491122048498_3344611185105305600_n.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2011\" \/>\n\t<meta property=\"og:image:height\" content=\"894\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/polychorosket.gr\\\/en\\\/\",\"url\":\"https:\\\/\\\/polychorosket.gr\\\/en\\\/\",\"name\":\"Home - 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